1059. MAP OF THE WORLD WITH JERUSALEM IN THE CENTER, H. BUNTING, ‘ITINERARIUM SACRAE SCRIPTUARE’ 1581

1062. JERUSALEM, BY ADRICUM, 1588

1066. JERUSALEM, BY SHEDDO, FRANCE, 18TH. C.

1069. MAP OF CRUSADER JERUSALEM, 1170

1072. MAP OF CRUSADER JERUSALEM,

1074. DRAWING OF BY THE ‘TRAVELER FROM CASALE’ ITALY, 1589

1074. DRAWING OF BY THE ‘TRAVELER FROM CASALE’ ITALY, 1589

1076. TRANSFIGURATION, DRAWING FROM AN 11TH C. GOSPEL DICTIONARY FROM THE MONASTERY OF IVERON ON MT. ATHOS

1081. THE ENTRY INTO JERUSALEM, DRAWING FROM CODEX 5, A 15TH C. ILLUMINATED MANUSCRIPT FROM THE MONASTERY OF IVERON ON MT. ATHOS

1088. THE RISING OF LAZARUS, DRAWING FROM CODEX 2, A 15TH C. ILLUMINATED MANUSCRIPT FROM THE MONASTERY OF IVERON ON MT. ATHOS

1090. THE LAST SUPPER, DRAWING FROM CODEX 2, A 15TH C. ILLUMINATED MANUSCRIPT FROM THE MONASTERY OF IVERON ON MT. ATHOS

1094. JESUS CHRIST, 9TH. C. MOZAIC FROM HAGIA SOPHIA, ISTAMBUL

1097. HAGIA SOPHIA, 12TH. C. MOSAIC DEPICTING THE VIRGIN MARY IN CENTER, ON THE LEFT EMPEROR JOHN II. COMENIUS, ON THE RIGHT EMPRESS IRENE

1101. HAGIA SOPHIA, 11TH. C. MOSAIC DEPICTING EMPRESS ZOE

1105. JESUS CHRIST, 15TH. C. MOSAIC FROM THE BYZANTINE CHURCH CHORA IN ISTAMBUL

1108. THE MIRACLE OF THE WINE AT THE WEDDING IN CANA, 13TH. C. FRESCO FROM THE BYZANTINE CHURCH CHORA IN ISTAMBUL

1186. TIBERIAS, FROM THE BOOK ‘PICTORIAL JOURNEY THROUGH THE HOLY LAND’, 1863

1198. INSIDE THE DOME OF THE ROCK, THE ROCK FROM WHICH ACCORDING TO ISLAMIC TRADITION MUHAMAD ASCENDED TO HEAVENS DRAWING BY P.A. PARIS, ‘JERUSALEM’ 1861

1202. JAFFA PORT, ENGRAVING BY S. MANNING, ‘THOSE HOLY FIELDS’, 1873

1205. JAFFA, LAMP SHOP IN THE BAZAR, ENGRAVING BY P. LORTET, 1884

1208. JERUSALEM, THE JEWISH QUARTER, DRAWING BY A. FORBIN, 1817

1211. JERUSALEM, THE CITADEL, DRAWING BY CH. WILSON, ‘PICTURESQUE PALESTINE’, 1880

1214. COURTYARD OF THE CHURCH OF THE HOLY SEPULCHER, ENGRAVING BY BRENNING, 1579

1217. JERUSALEM, STREET SCENE, VIA DOLOROSA, ENGRAVING BY DOUSSAULT, 1856

1219. HEBRON, ENGRAVING BY MANNING, 1873

1554. ‘THE BOOK OF KNOWLEDGE’ AN ILLUMINATED MANUSCRIPT BY AL-JAZARI DATING FROM 1315 DEPICTING ARTIFACTS USED AT THE TEMPLE SERVICE, CRAFTED BY BEZALEL. THE ALTAR, SHEWBREAD TABLE, THE CANDELABRA, TRUMPETS, INSENCE SHOWELS AND MORE.

1554. ARTIFACTS USED AT THE TEMPLE SERVICE; ALTAR, CANDELABRA, INSENCE SHOWELS, TRUMPETS, THE SHAWBREAD TABLE ETC. CRAFTED BY BEZALEL DEPICTED IN THE’ BOOK OF KNOWLEDGE’, AN ILLUMINATED MANUSCRIPT BY AL-JAZARI DATING FROM 1315

?1595. MOAES AND THE TABLETS OF LAW, PICTURE FROM A GERMAN 16TH. C. ILLUSTRATION

1608. THE ROTHSCHILD MISCELLANY, A BEAUTYFULY DECORATED MANUSCRIPT circumcision circumcision CONTAINING RELIGIOUS AND SECULAR TEXTS FROM NORTHERN ITALY, C. 1470. PIC: THE CIRCUMCISSION CEREMONY PRAYER

1610. THE ROTHSCHILD MISCELLANY, A BEAUTYFULY DECORATED MANUSCRIPT CONTAINING RELIGIOUS AND SECULAR TEXTS FROM NORTHERN ITALY, C. 1470. PIC: PAGE FROM THE BOOK OF JOSHUA

187. EZEKIEL’S PROPHECY ABOUT THE DESTRUCTION AND RESTORATION OF NATIONAL LIFE (CH. 37). WALL PAINTING FROM DURA EUROPOS, ONE OF THE EARLYEST KNOWN SYNAGOGUE, DATED C. 245 A.D. LOCATED IN TODA’S IRAQ europas europus

189. PHARAOH’S DAUGHTER AND THE INFANT MOSES. WALL PAINTING FROMTHE DURA EUROPOS, ONE OF THE EARLYEST KNOWN SYNAGOGUE, DATEDAPP. 245 A.D. LOCATED IN TODA’S IRAQ europas europus

191. ELIJAH REVIVES THE WIDOW’S CHILD. WALL PAINTING FROM DURA EUROPOS, ONE OF THE EARLYEST KNOWN SYNAGOGUE, DATED C. 245 A.D. LOCATED IN TODA’S IRAQ ‘And Eliah took the child and brought him down out of the chamber into the house and deliverdelivered him unto his mother, and Eliah said; See thy son liveth’ I KINGS 17:2 europas europus

1913. THE ROTHSCHILD MISCELLANY, A BEAUTYFULY DECORATED MANUSCRIPT CONTAINING RELIGIOUS AND SECULAR TEXTS FROM NORTHERN ITALY, C. 1470. PIC: MOURNERS